• News
  • Events
  • Folios
  • Awards
  • Shop
  • Menu
    • Home
    • News
    • Events
    • Folios
    • Awards
    • Shop
      • All Products
      • Consultations
      • Directories
      • Folio
      • Publications
      • Recordings
    • About
        • About the AOI
        • Our History
        • Our People
          • Staff
          • Meet Up Hosts
          • Board
          • Patrons
        • Contact Us
        • Jobs
        • FAQs
    • Campaigning
      • Campaigns
        • Pay The Creator
        • Diversity & Inclusion
        • Not a Hobby
        • The AOI’s Stance on AI
        • Fair Terms for Creators
        • Price it Right
        • Keep Your Copyright
      • Legislation
      • Partner Organisations
      • Fighting Fund
    • Resources
      • All Categories
        • Pricing
        • Finance
        • Self Promotion
        • Business Practice
        • Copyright
        • Contracts
        • Animation
      • Inside Illustration
      • Illustration Pricing Survey
      • Consultations
      • Helpdesk
      • Discounts
      • AOI Meet Ups
      • Recordings
    • Member Dashboard
      • Dashboard
      • Account
      • Addresses
      • Membership Payments
      • Folio
      • Images
      • Submit News/Events
      • Shop Orders
      • My Membership
      • Downloads
      • Logout
    • Become a Member
  • Login
  • Become a Member
  • About
  • Campaigning
  • Resources


Lost your password?
You can also login or register here.
News
Next Article > < Previous Article

USA Copyright Office

News from the Illustrators Partnership about the USA Copyright Office

October 28, 2016

“Days after U.S. Register of Copyrights Maria Pallante was moved out of her job…lawyers and lobbyists are still trying to figure out what happened, as well as what it means for the future,” according to a Tuesday update by Robert Levine in Billboard.

The article also suggests, as many here have speculated, that Pallante’s “sudden removal [by Dr. Carla Hayden, newly-appointed Librarian of Congress] could suggest a more skeptical view of the value of intellectual property in Washington DC.”

“‘People I know who care about copyright are very disturbed,” says Marybeth Peters, Pallante’s predecessor as Register, who held the job from 1994 to 2010. “Nothing like this has ever happened there before.'”

Billboard confirms that “Pallante…was locked out of the Library of Congress computer system [on Friday], a step that several former Copyright Office staffers say is extremely unusual.”

Pallante refused a subordinate “reassignment” to serve under Hayden and submitted her resignation Monday, October 24.

Billboard notes that various lawmakers involved with drafting copyright policy have expressed “concern” and “implied” “displeasure” about the coup, but states that “Public Knowledge, a nonprofit organization that receives some of its funding from technology companies, tweeted that this represents ‘a great opportunity to bring balance to the [Copyright] Office’s policy work.’ ” As the website Trichordist has previously reported, “in the last two months the main Google mouthpiece in Washington DC Public Knowledge has been clamoring for her [Pallante’s] head.”

For over a decade the Illustrators Partnership has been warning that the lobbying effort by Big Tech companies to “bring balance” to copyright “policy” is, in fact, “a proposal for a radically new copyright law,” as we said in our Senate testimony April 6, 2006.

The goal of copyright “reformers” has been to invert the premise of copyright law, making public access to creators’ work the law’s main function, and requiring creators to register each and every work they wish to retain any commercial or personal interest in.

The Billboard article suggests that the new Librarian of Congress may share this ideological goal:

“Although Hayden spoke about the importance of copyright during her confirmation hearings, she is perceived to favor looser copyright laws, since she previously served as president of the American Library Association, an organization that lobbies for greater public access to creative works, sometimes a[t] the expense of creators. The Obama Administration also has close ties to technology companies, which would like to see a Copyright Office that values fair use and other exceptions to copyright over the rights of creators and copyright owners.”

To read the full Billboard article, go here.

Illustrators’ Partnership of America, 845 Moraine Street, Marshfield, MA 02050


Back to News Page
Share      
News
Folios
Awards
  • Awards Home
  • About WIA
  • Longlist / Previous Winners
  • Touring Exhibition
  • News
Resources

All Resources

  • Inside Illustration
  • Illustration Pricing Survey
  • Consultations
  • Discounts
  • Helpdesk
  • AOI Meet Ups
  • Recordings
Campaigning
  • Campaigns
    • Pay The Creator
    • Diversity & Inclusion
    • Not a Hobby
    • The AOI’s Stance on AI
    • Fair Terms for Creators
    • Price it Right
    • Keep Your Copyright
  • Legislation
  • Partner Organisations
  • Fighting Fund

Shop
  • All Products
  • Consultations
  • Directories
  • Folio
  • Publications
  • Recordings
About
  • About the AOI
  • Our History
  • Our People
    • Staff
    • Meet Up Hosts
    • Board
    • Patrons
  • Contact Us
  • Jobs
  • FAQs
Connect with us
Sign up to our Newsletter
   

Website Terms
Cookie Policy
Shop Terms of Sale
Privacy Policy
Membership Terms


Somerset House, Strand, London WC2R 1LA, UK.
Please note that we are an administrative office and all visits are by appointment only

The Association of Illustrators is a company registered in England and Wales. Company registration 01237440. VAT GB393872701.
© Association of Illustrators. All rights reserved, site built with tlc