Illustrator of the Month – May

From divine print products to striking murals Laura Callaghan is a celebrated Illustrator with a significant online following, and as guest speaker at Pictoplasma Festival she presented the perfect candidate for May’s Illustrator of the Month!

Six Things I’ve learnt, by Ben Tallon

Longstanding AOI Member Ben Tallon is celebrating 10 years working as a professional Freelance Illustrator, and in this article he shares six of the best lessons he’s learnt throughout his career so far.

Illustrator of the Month – March

In the run up to Bologna we find ourselves delighted by one application by Italian Illustrator Valeria Weerasinghe. Her website bustling with character driven personal projects, we found her the perfect candidate for our Italian take on Illustrator of the Month!

Illustrator of the Month – January

Here at the AOI we pride ourselves in having members from all over the world, who stun us on a daily basis with their incredible portfolios and work ethics. For..

Illustrator of the Month: December

London based Member Steve Scott is the go-to guy for light-hearted, playful and intricate Illustration. As the final member feature for this year we eagerly chatted with Steve and Agent..

Illustrator of the Month: October

Bristol-based Member James Davies was the perfect candidate to fill the position of Illustrator of the Month in light of all the creative activity appearing in the West of England this October

You may be aware that there is no copyright in an idea, only in the form the idea takes. If you have a brilliant idea for an illustration and someone..

Commissioning Illustration for Retail

Peter Cross, Customer Experience Director at John Lewis Partnership, commissioned Paul Thurlby’s World Illustration Award winning project National Treasures. Find out more about the commissioning process in this insightful interview.

Jacky Winter on Representation

In this industry insight we talked to Jeremy Wortsman of Jacky Winter about the Australian illustration scene, working globally, geographical trends and the secret to a long career, “Everyone needs to spin a lot of different plates to survive!”

Illustrator of the Month: August

From ‘Down Under’, AOI member Andrea Innocent lives and works as part of the Illustration scene in Melbourne. She describes her travelling years in Japan and how its historical art style influenced her own practice, plus the journey to finding satisfaction and grounding in teaching and leading workshops in Australia.

Is Social Media Really That Important For An Illustrator?

10 years ago, the way we communicate and promote ourselves online changed dramatically with the arrival of social media platforms. Love it or hate it, these have now become an almost integral part of our daily professional routine. But how beneficial is it really for Illustrators? AOI Member Matthew Griffin shares his thoughts on the matter.

Illustrator of the Month: July

We talk to Animation Director and Illustrator Stevie Gee about his success in Design, Advertising and Music, as well as a variety of weird and wonderful products. Also highlight his triumphant win(s) at the World Illustration Awards.

Industry Insight: Chris Labrooy

Chris Labrooy has an enviable career with his work being seen across UK, Europe and the States in advertising, editorial and publishing. Take a minute to read this insight into his practice and his advice for other Illustrators!

The challenges of illustration-led animation

The AOI are aware of the challenges of licensing illustration-led animation images for additional uses. Chris Page of Jelly London lays down some important pointers on this practice.

Illustrator of the Month: June

Illustrator and Animator Rune Fisker is a Coperhagen-based and Danish born designer, who’s dynamic compositions and vivid colours caught the eye of the AOI team and led to animated dialog for June’s Member of the Month.

Illustrator of the Month: May

Rosanna Webster often consults with us using her illustrator membership in business, pricing and negotiation on some complex and always interesting commissions. A few years back a moving image commission by Stella McCartney propelled her work to the fore and led to a range of opportunities.